• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Contact

FilmFracture

Movie News, Movie Reviews, and Features With Your Time in Mind

  • Home
  • Movie Reviews
  • Features
  • News and Curiosities
  • Cinema Fearité
  • Netflix

Classic Films

Cinema Fearité Presents A Movie So Bad Its Awesome Again With ‘Cathy’s Curse’ (Dir. Eddy Matalon 1977)

March 21, 2013 by James Jay Edwards

Oh, Canada.  The relatively low production costs coupled with extremely film-friendly government tax incentives see many horror films heading north of the border to the land of hockey, mounted police and Bryan Adams to shoot.  Sometimes, these films end up as classics of the genre, as is the case with Prom Night and Terror Train.  […]

Filed Under: Cinema Fearité Tagged With: 2012, 2013, Classic Films

Touch Of Noir: The End Of Film Noir And ‘Touch Of Evil’

March 17, 2013 by Katherine Springer

Continuing the exploration of the outer limits of film noir I will now discuss one of the last examples of the genre with Orson Welles’ Touch of Evil (1958). In the seventeen year period between 1941 and 1958, film noir had come to dominate Hollywood. Loosely based on the novel “Badge of Evil” by Whit […]

Filed Under: Entertainment, Features, Frame of Mind, Movies, Touch Of Noir Tagged With: 2013, Classic Films, Classic Movies, Column, Film Noir, Opinion Piece, Orson Welles, The Maltese Falcon, The Outer Limits Of Film Noir, Touch of Evil, Touch Of Noir

Cinema Fearité Presents The Equally Hysterical And Terrifying Cult Classic ‘TerrorVision’ (Dir. Ted Nicolaou 1986)

March 14, 2013 by James Jay Edwards

One of the biggest and most important advances in entertainment technology to come out of the 1980s is the advent of cable television and satellite reception.  No longer were people limited to movies at a theater and a mere thirteen channels of programming.  As with any new technology, however, there was a learning curve, and […]

Filed Under: Cinema Fearité Tagged With: 2012, 2013, Classic Films

Touch Of Noir: The Outer Limits Of Film Noir With ‘The Maltese Falcon’

March 10, 2013 by Katherine Springer

There are two films most often cited as the bookends, the outer limits of film noir: The Maltese Falcon (1941) and Touch of Evil (1958). By near consensus, John Huston’s The Maltese Falcon marks the beginning of the genre, and it will be the topic of Part I of this look at the boundaries of […]

Filed Under: Entertainment, Features, Frame of Mind, Movies, Touch Of Noir Tagged With: Classic Films, Classic Movies, Column, Film Noir, Opinion Piece, The Maltese Falcon, The Outer Limits Of Film Noir, Touch Of Noir

Cinema Fearité Presents The Most Far-Fetched And Fun Waterlogged Creature Feature ‘Tentacles’ (Dir. Oliver Hellman 1977)

March 7, 2013 by James Jay Edwards

When Jaws ushered in the modern monster movie era in 1975, moviegoers everywhere became terrified to go into the water.  Jaws was so effective that it spawned a bevy of aquatic imitators, each more strange that the last.  For several years after Jaws, audiences were treated to thinly veiled rip-offs like Orca in 1977, Piranha […]

Filed Under: Cinema Fearité Tagged With: 2012, 2013, Classic Films, Creature Feature, Monster Movies

  • « Go to Previous Page
  • Go to page 1
  • Interim pages omitted …
  • Go to page 7
  • Go to page 8
  • Go to page 9
  • Go to page 10
  • Go to page 11
  • Interim pages omitted …
  • Go to page 31
  • Go to Next Page »

Primary Sidebar

This site contains affiliate links to products. We may receive a commission for purchases made through these links at no additional cost to you that help FilmFracture, an independently owned website, cover its expenses.

Discover More On FilmFracture

Declaration of War

Tonight You’re Mine West Coast Premiere To Kick-Off Coachella Music Festival Weekend

‘Avengers: Age of Ultron’ Is Another Great Superhero Team-Up

‘Scary Movie 5’ Featuring Mike Tyson, Lindsay Lohan, Charlie Sheen, Snoop Dogg, And More Launches Official Website On Tumblr

‘Lion’ Mixes A True Story With Breathtaking Locations And A True Ensemble Cast

The Great Possibilities And Great Disappointment In Juan Solaris’ ‘Upside Down’

LAFF Film Review: Page One: Inside the New York Times

‘Truth’ Has A Message, But It Gets Lost In The Reporting

Cinema Fearité Presents ‘C.H.U.D.’ – The Late John Heard In A Classic Eco-Political Creature Feature

‘Backcountry’ Is An Effective Man-Versus-Nature Horror Movie

Copyright © 2008 - 2030 FilmFracture - All Rights Reserved.