Fritz Lang’s Fury is based on the same small-town California news story, but this is the real deal. Instead of an innocent man threatened by a lynch mob, Try and Get Me has returning GI (never saw combat) Frank Lovejoy struggling to make ends meet for his wife and child, falling in with startling sociopath Lloyd […]
Film Noir
TCM Classic Film Festival: ‘The Narrow Margin’ (Dir. Richard Fleischer 1952)
Cheap, tough, and drenched in shadows, The Narrow Margin was the sort of thing that the RKO technicians could knock out in a couple of weeks with no trouble at all, but is raised by particularly tight direction from Richard Fleischer, including terrific use of confined spaces, windows, and yes, lots of shadows (but also, […]
TCM Classic Film Festival: ‘La Traversée De Paris’ (Dir. Claude Autant-Lara 1956)
Beloved in France but little known elsewhere, La traversée de Paris holds the distinction of being the one film by Claude Autant-Lara deemed acceptable by the young François Truffaut, in his campaign against the prevailing cinèma du qualité in 1950s France. One reason for the exception is that it’s sort of an odd film, […]
Touch Of Noir: ‘Detour’ On Poverty Row
Movie budgets of the 1940s pale in comparison to those of today. It’s the question of maybe a few million versus an average $40 million, but just as independent films are produced today, there were independent films with minuscule budgets released in the ‘40s. Most of these low budget films were genre B movies produced […]
Touch Of Noir: Examining The Unpunished Femme Fatale Of Christopher Nolan’s ‘Memento’
The most interesting aspect of Nolan’s screenplay is its portrayal of the femme fatale, Natalie (Carrie-Anne Moss). Arguably the most complex character in Memento.
