Caesar Must Die is apparently a small, simple film, with one straightforward aim: to remind the viewer that lifers in a maximum security prison in Rome, no matter their crimes, remain emotionally valid and susceptible human beings. Yet to achieve this, the veteran Taviani brothers take on one of the most nebulous issues of them […]
Entertainment
AFI FEST 2012 Film Review: Piéta (Dir. Kim Ki-duk South Korea 2012)
This is really quite a silly film, Piéta, albeit played totally deadpan, from the portentous and only-just-relevant title on down, as a punky young loan enforcer goes around crippling the poor machinist clients who cannot pay their exorbitant interest. The appearance of a silent, nicely-dressed middle-aged lady amidst the fantastic detritus of the industrial tenement […]
AFI FEST 2012 Film Review: The Impossible (Dir. Juan Antonio Bayona USA/Spain 2012)
Natural disasters are easy prey for filmmakers wherein the melodrama is grown organically out of the true story the film portrays. This is usually their downfall, as the events and performances are so over-the-top and seeping with mushiness that they get thrown onto a Cable Network and forgotten–all for the best. Then there is one […]
AFI FEST 2012 Film Review: Leviathan (Dir. Lucien Castaing-Taylor and Véréna Paravel US/UK/France 2012)
Leviathan is a fantastic audio-visual experiment, presented as by the Sensory Ethnography Lab. The emphasis is on the sensory, so to get the other out of the way, it is filmed entirely on and around a commercial fishing vessel and yes, it’s a hard life for these fishermen, with much of their work machinelike in […]
AFI FEST 2012 Film Review: Wrong (Dir. Quentin Dupieux France/USA 2012 )
Even if one’s not seen Quentin Dupieux’s loopy telekinetic tire movie Rubber [2010] it’s quite clear from the start of Wrong – the wrong “A Film By” credit, followed by a nice if obvious gag on the hackneyed alarm clock shot – that this is going to be another surreal oddity. Dolph (Jack […]