Chistian Porumboiu ups the formal rigour of his last, Police, Adjective (2009), with When Evening Falls On Bucharest Or Metabolism; a film composed of 17 shots, most capturing conversations for a full reel’s 11 minutes, and filmed with an almost entirely static camera. His subjects are film director Paul and his actor and new bedmate […]
AFI FEST
AFI FEST 2013 Movie Review: The Frigid And Soulless ‘Exhibition’
A title at the end reveals that Joanna Hogg’s third feature, Exhibition, is dedicated to the recently-late architect James Melvin, which should come as no surprise since the film is as much a portrait of the sleek, modernist Kensington townhouse in which it is almost exclusively set, as of the mildly dysfunctional marriage that resides […]
Agnès Varda’s Most Personal And Emotional Film, ‘Documenteur’
Agnès Varda has cited Documenteur as her favourite of her own films, presumably because even more than The Beaches of Agnes (2008), it is her most personal and most emotional. She was apart from her husband Demy on her second trip to Los Angeles, at the start of the ‘80s, to develop a script (turned […]
AFI FEST 2013 Movie Review: The Collaborative Vision In ‘A Spell To Ward Off The Darkness’
One wouldn’t necessarily guess it, but A Spell To Ward Off The Darkness, a collaborative effort by two of the leading lights of international experimental film, Ben Rivers (UK) and Ben Russell (US), is an enquiry as to where utopia(s) may exist (as noted in interviews and screening introductions). Possible locations, it is suggested, are […]
AFI FEST 2013 Movie Review: A Perfectly Enjoyable, Meaningless Good Time With ‘Tom At The Farm’
Wunderkind Xavier Dolan never seems to make it to the AFI festival because he’s always off shooting his next movie (four movies by the age of 24 and Cannes prizes galore). He was in production on this one when last year’s Laurence Anyways screened, a continuation and expansion of the high-pitched emotional drama of his […]
