Ever since writer/director Robert Eggers' The Witch
made its premiere at last year's Sundance Film Festival, it has been one of the most anticipated and buzzworthy movies in the horror community. After a year on the festival circuit where it played heavyweight fests like Fantastic Fest, The Toronto International Film Festival, and the Melbourne International Film Festival, The Witch
is finally getting a wide release. And fortunately for it, The Witch
lives up to its hype.
Set in the mid-1600s, The Witch
(or as it is coolly stylized, The VVitch
) is about a family who, after being banished by the church from their township, ventures out into the New England countryside to build a new life. They seem to find the perfect clearing on the edge of a thick wood to call home, but something is not right about the place. When the youngest child, a mere baby, disappears, parents William and Katherine (Ralph Ineson and Kate Dickie, both from "Game of Thrones") are justifiably concerned, but eldest daughter Thomasin (Anya Taylor-Joy from "Atlantis") jokes with the younger kids about a witch in the woods who stole the baby away. Of course, this alarms the parents even more, and they start to think that their own daughter may be possessed by the devil. One thing that they are sure of, though, is that there is something in the woods, supernatural presence or not, that is watching and tormenting the family.
is an amazing exercise in suspicion and paranoia. Forget the titular witch (who may or may not actually exist), the real antagonist in the film is the family's own doubts and fears. A big part of what makes the film so effective is what is not shown; there are holes in the story, but they are perfectly placed to arouse mistrust and doubt in the audience as well as in the characters. In one scene, for example, Thomasin frightens the younger kids by slowly approaching them and chanting a creepy cadence, seemingly just to toy with them, but the performance is so convincing that even the audience has to wonder how much of it is a joke and how much of it is based in reality - is Thomasin, in fact, the root of all of the family's problems?
As one could probably guess, The Witch
is a period movie, and that fact works both for it and against it. Eggers and his creative team went to great lengths to ensure authenticity in the film, so everything from the locations and cinematography to the costuming and production design give the viewer the feeling that they are looking back into 17th century New England. Unfortunately, that authenticity is also present in the colonial era dialog, which can be a bit hard to understand at times. It's all done for the sake of historical accuracy, however, so, regardless of its occult themes and content, The Witch really does feel like a slice of American history.
It's worth noting that, as much of a breakthrough performance as Anya Taylor-Joy gives in the role of Thomasin, she's not the big star of The Witch
. One of the family's goats, an evil-looking fellow named Black Phillip, actually steals the movie. Whether he's jumping around on his hind legs or just staring into the camera with what looks like a smug grin on his face, Black Phillip runs away with every scene he's in (both literally and figuratively). If there was an Academy Award for Best Animal Actor, it would have to go to Black Phillip (or Charlie, the real-life goat who plays him).
What The Witch
boils down to is that it's a modern movie, set in the 1600s, that feels like one of those creepy seventies occult flicks, right down to the crazily ambiguous final scene. But it is also much more than all of that. It's a tense and disturbing tale about one family's fight for survival against both the natural elements and the possibility of supernatural interference. It's also about that family's search for itself and its eventual breakdown due to what it does (or does not) find. Or it could just be about a satanic goat. Any way you want to frame it, The Witch
is a fantastic movie.
Another of the quality elements in The Witch
is the musical score. Composer Mark Korven (Cube
) went out of his way to obtain and write for period instruments like the nyckelharpa (basically a fiddle) and the jouhikko (a type of lyre), as well as some of the more common old contraptions such as the waterphone and the hurdy gurdy, so the soundtrack has a truly authentic vibe. That doesn't mean that the score for The Witch
is period music, however; it's full of shrieking and moaning sounds, abrasive and atonal, that are anything but 17th century. Korven also used a local Toronto new age choir called The Element Choir to add some eerie ethereal voices to his morbid score. The whole thing adds up to a disturbing, unsettling aural assault that keeps the audience squirming in its collective seat. Honestly, if the music for The Witch
had been written in the 17th century, Korven would have probably been persecuted for making the Devil's music. So, it's perfect. Forgive the pun, but The Witch
has one hell of a score.