Feeling disenchanted with life after retirement, Mitch, a brassy former surgeon, convinces his mild-mannered ex-brother-in-law Colin to take a trip with him to Iceland. The sixty-something pair set off in an attempt to reclaim their youth through ReykjavÃk nightclubs, trendy spas, adventurous restaurants, and rugged campsites. But they quickly discover that you can't escape yourself, no matter how far you travel.
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One wouldn't think that a movie based solely around a pair of traveling elderly men would be entertaining unless it starred Jack Lemmon and Walter Matthau. While it's not exactly a rip-roaring comedy like Grumpy Old Men
, Land Ho!
stars a different odd couple and, yes, it's entertaining.
is the story of a retired man named Mitch (Earl Lynn Nelson from Passenger Pigeons
) who is planning a trip to Iceland. He invites his ex-brother-in-law, Colin (This is Martin Bonner
's Paul Eenhoorn), to join him, and the two men set off. In Iceland, the pair go from hotel to hotel, campsite to campsite, working their way across the country, visiting tourist attractions such as museums by day and hitting nightclubs by night. The men, in the twilight of their lives, are just beginning to find themselves.
Written and Directed by Aaron Katz (Cold Weather
) and Martha Stephens (Pilgrim Song
), Land Ho!
is a pretty simple film. It's a very straightforward story told through competent filmmaking. There are no obvious visual effects. The cast is very bare-bones. There's hardly even any soundtrack in the film, and what music is present is very sparse, used mainly for diegetic purposes or for transitions. Despite all of this, or just maybe because of it, Land Ho!
turns out to be a pretty enjoyable film to watch. It's a fun road movie; there's not a whole lot of point to most of what happens, but the meandering journey is exhilarating. There's an unmistakable charm that doesn't need to be ruined by a complicated plot.
Because there is not a whole lot of action in Land Ho!
, it's safe to classify it as a character driven drama. The effectiveness of the film hinges entirely on Mitch and Colin, and the two gentlemen rise to the occasion. Every member of the audience will see a little bit of their own grandfather in the endearing traits of at least one of the two men. No matter what the pair are doing, they are always conversing, with Mitch taking the lead, and the results are hilarious and heartbreaking, annoying and amusing. They get along like old friends and bicker like an old married couple. Their characters are revealed in small doses that don't really apply to the rest of the movie as a whole. The governing theme of Land Ho!
is one of recapturing lost youth and living for the moment, and it's illustrated through the lives of two gruff but lovable old men. It's simultaneously sad and hopeful, which is an admirable combination. Unless the viewer's heart is three sizes too small, Land Ho!
will warm it.
There are several supporting players who come in and out of Land Ho!
, but the film really belongs to Mitch and Colin, played by Earl Lynn Nelson and Paul Eenhoorn, respectively. The two men have a great back-and-forth chemistry between them, making it seem as if the viewer is on a vacation with their grandfathers. The pair puts forward a cool opposites-attract type of feeling; Nelson's Mitch is the talkative know-it-all while Eenhoorn's Colin plays the sounding board, speaking mostly to encourage Mitch to keep going. There's a very natural vibe to the men's performances, as if the actors were simply given an outline and their conversations were improvised. It's almost as if the two men are playing themselves, with a camera crew tagging along on an Icelandic journey. Nelson and Eenhoorn anchor the film, and Land Ho!
wouldn't be the same if either of their roles had been cast differently.