The Latest Movie Reviews
Frame Of Mind
It’s been said that imitation is the sincerest form of flattery. Well then, in 1961, Great Britain flattered the hell out of Japan by making a little Godzilla homage called Gorgo.
Cinema Fearité Says Goodbye To Michael Parks With Charles B. Pierce’s Supernatural Stalker Movie ‘The Evictors’
Last week, the talented character actor Michael Parks passed away at the age of 77. Parks was one of those actors whose name might not be instantly recognizable, but whose face is known by every cinemaniac. He was a regular in films by both Quentin Tarantino and Robert Rodriguez, and Kevin Smith has gone on record saying that he wrote Red State and Tusk specifically for Parks. Like so many other cult favorite actors, Parks did his share of horror movies, schlock with titles like The Savage Bees, Nightmare Beach...and the subject of this week’s Cinema Fearité – The Evictors.
In the rapidly declining world of print journalism, newspapers are known for their different sections. There’s the news and politics section, the funny papers, the sports page…and the obituary column. Obit takes a good look at the surprisingly lively writers who are responsible for producing the content for that last section.
Cinema Fearité Presents ‘The Babysitter’ – William Shatner and Patty Duke Versus Stephanie Zimbalist In A Crazy Script-Flipping Television Movie
In the seventies, a whole subgenre of horror popped up that revolved around the profession of babysitting. Led by movies such as Halloween and When A Stranger Calls, horror films made young girls everywhere think twice about childcare as a moneymaking venture. In 1980, a television movie, simply called The Babysitter, flipped the script on the stalked kinder-care motif by making the sitter the hunter instead of the prey.
Horror filmmakers and fans alike have always had a morbid fascination with real-life serial killers. Ted Bundy, John Wayne Gacy, and The Zodiac Killer have all inspired horror movies - even the legendary Jack the Ripper got a speculative thriller. Wisconsin murderer Ed Gein alone has been the basis for dozens of films, everything from film classics like Psycho and The Texas Chainsaw Massacre to cult standards such as Deranged and Motel Hell. In 1964, just a few short months after he claimed his last victim, The Boston Strangler (aka Albert DeSalvo) got his movie – the simply titled The Strangler.
A piece of pop culture history was lost this past weekend when Erin Moran, best known as the little sister Joanie on the long-running sitcom “Happy Days” (and carrying the role over to the spinoff “Joanie Loves Chachi”), died of cancer complications at the young age of 56. “Happy Days” made Moran a household name in the seventies, but she was already a child star at that point, and went on to have a humble television career after. Of course, because this is Cinema Fearité, we’re going to take a look at Moran’s one and only horror movie, the 1981 Roger Corman-produced sci-fi schlockfest Galaxy of Terror.
This week’s Cinema Fearité is going to be a little different. With Donald Trump sending warships to North Korea and their leader, Kim Jung-un, constantly developing and testing his country’s nuclear capabilities, the world hasn’t been this close to nuclear war since the Reagan era more than thirty years ago. It’s time to revisit the 1983 television movie The Day After.
There’s little doubt that Stanley Kubrick is one of the most influential directors in modern cinema. He revolutionized the science fiction genre with 2001: A Space Odyssey, the dystopian nightmare with A Clockwork Orange, the horror movie with The Shining, and the war film with Full Metal Jacket. He even invented the political satire with Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. But he wasn’t always so...Kubrickian. Like most filmmakers (see David Cronenberg’s Stereo), Kubrick started his career making cheap and simple films. His second feature, made way back in 1955, was the tidy little noir thriller Killer’s Kiss.
Following the success of Gremlins in 1984, the film industry decided that the next big thing would be tiny creature movies. The ghoulies in Ghoulies led to the troll in Cat’s Eye and the critters in Critters led to the demons in The Gate. But all of that was just prepping the world for 1988’s Hobgoblins.
The eighties were called the “Golden Age of the Slasher” for a reason; slasher movies were a dime a dozen. By the time the decade ended, audiences had pretty much seen it all. That didn’t stop the movies from trying, though. In 1989, a little-slasher-that-could recycled every trope into a movie that, well, seemed like a bunch of recycled tropes. That movie is Offerings.
Whether it’s because of the innovative architecture or the retro nostalgia is anyone’s guess, but horror movies set in malls are fun. Sometimes, they’re smart indictments of consumerism, like Dawn of the Dead. Other times, they’re just silly creature features about college co-eds, such as Sorority Babes in the Slimeball Bowl-O-Rama. And sometimes, they’re both, like the 1986 technological warning-meets-teenage party movie Chopping Mall.
Cinema Fearité Presents ‘Ravenous’ – Wrapping Up Women In Horror Month With Antonia Bird’s Wild Cannibalism Tale
Last month, Cinema Fearité paid tribute to female filmmakers for Women in Horror Month by diving into Mary Harron’s American Psycho, Mary Lambert’s Pet Sematary, and Ida Lupino’s The Hitch-hiker. Thanks to the untimely passing of Bill Paxton, we got a little sidetracked last week with our remembrance of Frailty. Well, better late than never; we’re back on track to wrap up Women in Horror Month by taking a look at Antonia Bird’s 1999 cannibalism movie Ravenous.
Documentaries about subcultures are usually fun because they give the viewer a glimpse into a world that they might otherwise have never even known existed. The new film from Jon Manning, Burlesque: Heart of the Glitter Tribe does just that, and does it in a way that is both informative and entertaining.