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Frame Of Mind
When people think about B-movie producers, the names that come to mind are usually Roger Corman, William Castle, maybe even Ed Wood. A good decade before those guys, however, there was Val Lewton, who owned the 1940s with movies like I Walked with a Zombie and The Ghost Ship, as well as his trio of Boris Karloff collaborations that included The Body Snatcher, Isle of the Dead, and Bedlam. Arguably his best movie is his first, the 1942 creepy classic Cat People.
Cinema Fearité Presents ‘Jaws Of Satan’ – A Low-Budget Creature Feature Starring The Late Fritz Weaver
The hits just keep on coming for 2016. Over the holiday weekend, the entertainment world lost yet another legend when Fritz Weaver passed away at the age of 90. Even if his name isn’t immediately recognizable, his face certainly was; Weaver appeared on every type of television show, from “All My Children” to “Wonder Woman.” He guest starred in just about every horror show imaginable, anchoring episodes of “The Twilight Zone” (both the sixties and eighties versions), “Tales From the Darkside,” “The Outer Limits,” and even “Monsters” (remember that one?). On the big screen, he shined in big budget adventure movies like The Marathon Man and Black Sunday, but he always had time for horror movies like Creepshow, Demon Seed, and this week’s Cinema Fearité offering – the 1981 shocker Jaws of Satan.
Last week, an actor named Tom Neyman passed away at the age of 80. Calling him an actor might be a bit of a stretch, since he only made one movie way back in 1966, but that one movie is legendary…for being one of the worst films of all time. Well, since it’s Thanksgiving anyway, let’s take a look at that famous turkey - a little movie called Manos: The Hands of Fate.
Former New Orleans Saints safety Steve Gleason’s football career can be defined in a single play. On September 25th, 2006, in the Saints’ first home game since their city was devastated by Hurricane Katrina, Gleason blocked a punt by the Atlanta Falcons that was returned for a touchdown, the first score of a game which the Saints would go on to win. It was more than just a football play. It was a symbol of resilience, a statement about the resurgence of a city that had been nearly destroyed. Gleason provided a spark of hope which turned the city around.
As cheap of a ploy as it sounds, setting a horror movie in a mental hospital is a highly effective way to raise the creep factor. From Asylum to The Ward, and even in cult classics like Alone in the Dark and Bad Dreams, a loony bin is a great setting for scares. Even fringe horror movies get spookier when they take place inside an insane asylum. For an example, look no further than Samuel Fuller’s 1963 noir thriller Shock Corridor.
Two of this year’s most buzzworthy horror movies have had animals featured in prominent roles. The Witch stars a freaky 210 pound goat named Charlie as the evil Black Phillip, and a charming seagull named Sully almost steals The Shallows away from Blake Lively with his performance as Steven Seagull, her rocky reef-mate for the movie. All of the hype surrounding these two talented non-humans brings to mind another stirring performance by an animal – that of the titular character in the 1985 anthology Cat’s Eye.
Horror on television has been around since the fifties and sixties, but it only reached out towards the children’s television market in the nineties with shows like “Are You Afraid of the Dark?” and “Goosebumps.” Before long, Nickelodeon, the “Kid’s Network” and home of “Are You Afraid of the Dark?”, even branched into scary TV movies aimed at the pre-teen demographic. Around Halloween of 2000, Nick pulled no punches with its controversial television feature Cry Baby Lane.
Whether one considers him one of the freshest voices in modern cinema or just a hack Hitchcock imitator, there’s no doubt that Brian De Palma has made some of the most important movies of the last half century. Now, fellow directors Noah Baumbach (Mistress America) and Jake Paltrow (“NYPD Blue”) turn the camera around on the iconic filmmaker in the simply titled documentary De Palma.
Let’s face it, some movies are just plain weird. Some are shockingly weird, like The Baby or Pink Flamingos. Some are surreally weird, like Eraserhead or any one of a number of films from Alejandro Jodorowsky. Either way, there is an entire unofficial subgenre of cinema that takes strangeness to a whole new level. Sonny Boy falls squarely into this category.
On September 18, 1980, a technician at a Titan II missile complex in Damascus, Arkansas, dropped a tool that punctured the side of a missile, spraying rocket fuel into the silo. That may sound like a minor mishap, but the fact that the missile contained a nuclear warhead that was 600 times more powerful than the bomb that destroyed Hiroshima escalated the situation. Long story short – the missile exploded, but the warhead did not, and although the incident was widely publicized, the full details were covered up. Until now.
Horror fans love to complain about remakes, but there are times when a re-imagining does actually surpass the original. John Carpenter’s The Thing is a good example. So is Chuck Russell’s The Blob. Franck Khalfoun’s brutal interpretation of Maniac comes pretty close. And, of course, David Cronenberg’s The Fly has to be in the conversation. But hold up…because the original 1958 version of The Fly is pretty hard to beat.
JT LeRoy was a real-life Cinderella: an androgynous boy with a truck stop prostitute for a mother who lived a life of drug addiction and sexual abuse before becoming a literary phenomenon when his first autobiographical book, Sarah, was published in 1999. JT LeRoy was also a fraud: an identity manufactured by writer Laura Albert as a way for Albert to write about taboo subjects that she normally wouldn’t dare approach. Albert’s deception was exposed in 2005, and the entire drama is documented in the fascinating film Author: The JT LeRoy Story.
Italian director Mario Bava is considered to be one of the pioneers of both the giallo and the slasher subgenres of horror movies. With films like A Bay of Blood, Hatchet for the Honeymoon, and Kill Baby, Kill to his credit, Bava’s work is usually seen as bloody and gruesome, but there was another side to the filmmaker. Bava could make movies that teemed with subtle suspense, such as his 1963 classic Evil Eye.
The first major explosion will make you gasp, and what comes next will enthrall you as each moment passes and the situation grows more and more intense. There's no escaping the horror; Berg has made a point to put you directly in the action. And that is what makes Deepwater Horizon a movie made for the big screen.