Gaspar Noé attacks the senses with Climax’s soundtrack and creates a beautifully ugly visual language throughout the movie.
Babylon, a British film that the United States did not release until now because of its depiction of racism, is an affecting race relations movie more important today than ever.
The Changeover movie, an adaptation of a popular YA novel, won’t fill the Twilight void audiences may be seeking. It’s far too typical and predictable.
In Glass, Shyamalan falls victim to his auteur ego. It’s well-made, but it’s also extremely indulgent as it completes the Eastrail 177 Trilogy.
Rust Creek on its surface looks like a standard redneck-chase horror thriller but the Stockholm Syndrome-like twist it presents makes it so much more.